Girls Always Happy was a breath of fresh air during a Berlinale which has featured a remarkable number of downbeat stories. It’s an accomplished film. It presents an original point of view about how to lead a life, in a changing society which still remains restrictive about a young woman’s place in the world. The film was nominated for Best First Feature Award for its director (and lead actress), Yang Mingming – a strong contender which deserved to win.
What short film manages to win 82 awards and get invited to over a hundred film festivals? The remarkable Silent River, by writer-director Anca Miruna Lǎzǎrescu, achieved that feat back in 2011. Her 2005 short film Bucuresti-Berlin had been an early sign of a promising career. Lǎzǎrescu studied in Munich, and started out as a documentary filmmaker. Her documentary film The Secret of Deva won Best German Newcomer Film in 2007. Since then, Lǎzǎrescu has gone from strength to strength.
Western, Valeska Grisebach’s latest work, was met with significant critical acclaim when it screened at Cannes’ Un Certain Regard last May. It’s a memorable film. It digs deep without seeming to. Grisebach is based in Berlin, and we met there earlier this year, to discuss her work.
A half-forgotten but important episode in British history is given a new perspective in ‘Theatre of War’, an absorbing new film by Argentinian artist Lola Arias.